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The museum declined to disclose how much it paid for "The Torment of Saint Anthony," a 15th-century oil and tempera painting on a wood panel that depicts scaly, horned, winged demons trying to pull the saint out of the sky. Experts believe he painted it when he was only 12 or 13 years old.
And only four such works — including this one — by the artist exist, and two of them are unfinished. Most of his paintings are frescos, the famous scenes on the ceiling and wall of Rome's Sistine Chapel.
"This is one of the greatest rediscoveries in the history of art," Eric M. Lee, the Fort Worth museum's director, told The Associated Press on Tuesday. "The evidence could not be stronger. It's like a detective story, like a mystery, and it involves one of the greatest artists of all time."
The painting was exhibited as late as 1874 in Paris. But some questions about its authenticity had surfaced through the years, and after a London family acquired it in the 1900s, the painting was kept privately and largely forgotten in the art world, Lee said.
Last summer an art dealer bought it for nearly $2 million at a Sotheby's auction and then took it to New York's Metropolitan Museum of Art, where one department chairman shared his hunch that it was the work of the Renaissance artist, Lee said.
Experts in the Met's paintings conservation department carefully cleaned it by removing decades of dirt, as well as paint layers that art restorers had applied through the ages to fill in chips or dull areas, Lee said.
When they examined the painting further using X-rays and infrared technology, they were able to see how the artist made certain brush strokes, scraped paint layers to achieve detail and even changed elements of the painting before the final version, Lee said.
Museum experts said they determined it not only was Michelangelo's — based on similarities to his other works and the artist's stories of the piece as told to biographers — but also that it was his earliest work — based on its age and details in the painting. The confirmation came a few months ago, and then the Kimbell decided to buy it, Lee said.
The generations of dirt and paint buildup had obscured the painting's identity, and some doubted its authenticity because a similar painting existed, Lee said. But an art expert who extensively studied both paintings said the other was done in the 17th century.
Michelangelo's piece has previously been known as "The Temptation of Saint Anthony" because he was inspired by a similar engraving of that name while learning to be an artist. But after the Kimbell acquired the oil painting, Lee decided to change its name because that engraving depicts a different scene, he said.
The painting will be displayed at the Kimbell starting this fall after a summer exhibit at the Metropolitan Museum of Art in New York. Lee said he may loan the painting to other museums later for traveling exhibits.
"This could not be a rarer object," Lee said. "That's why this is such an extraordinary opportunity."
Kimbell Art Museum: http://www.kimbellart.org

Musically, Morocco is heterogeneous, and this heterogeneity reflects the variety of Moroccan culture. From secular urban professionals and religious singers to rural and nomadic singers. From historic and traditional to modern to Raï music. We find the classical Andalusian style, reflecting Morocco's historic relationship with Spain. We find Sephardic music and other folksongs from the historic Jewish communities in Essaouira and Fez. We also find Gnawa; the music originally derived from West Africa that demonstrates the influence of migrations and cultural interchanges across the Sahara.
Gnawa is a term that has two important meanings. It is used to define both a religious/spiritual order of a traditionally Moroccan Black Muslim group and a music style connected to this order. The term encompasses all members of the Gnawa: the master musicians to the players of the Karkaba (metallic castanets) to the disciples and women soothsayers/therapists.
Over 900 years ago, during the Almoravid dynasty in the 11th century, slavery, conscription and trade brought people from West Africa (present-day Mali, Burkina Fasso and Senegal area) to the Maghreb (Morocco, Algeria and Tunisia). Since it was believed that large groups of enslaved people came from Ancient Ghana (a kingdom north of Mali) in the 11th and the 13th centuries, these enslaved groups were called Gnawa. The descendents of these enslaved groups are the present-day Gnawa, Morocco's most colorful Muslim ethnic group. While they have retained many of the customs, rituals and beliefs of their ancestors, their music is the most preserved trait.
After their conversion to Islam probably still in their country of origin they adopted Bilal as their ancestor and saint patron, Bilal was the first black person to convert to Islam and to become a companion of the Prophet Muhammad and the first muezzin (caller to prayer) in the history of Islam. It is important to note and mention the question of identity of Black Gnawa in Morocco. Aware of their difference and their blackness they chose Bilal a black man as agnate. Bilal was a special man. He was born into slavery and originally from Ethiopia. He converted to Islam while still in captivity and he was tortured for that by his master Umayya b. Khalaf. When Abu Bakr as-Siddiq a very close friend to the Prophet Muhammad heard about the valor of Bilal he bought him and set him free in the name of Islam. Bilal became the personal servant/assistant of the Prophet. This special relationship with the Prophet acquired Bilal a special Baraka (a divine blessing). What the Gnawa are really saying by constructing their Islamic identity is that they are privileged people among Muslims that they have converted to Islam even before Quraysh, the tribe to whom Muhammad belonged, through their spiritual ancestor Bilal, and that they possess his Baraka.


A famed glove once owned by Michael Jackson has fetched $99,100 while selling on eBay. The Glove, is claimed (by the seller) to have been worn by Jackson during his 1984-85 Victory tour and when he won eight Grammy’s for his Thriller Album. The auction attracted over 5,400 visitors wanting to take a closer look at the unique piece of music history.
The opening bid started at $1,500 on April 19th, 2009. Seven days later the Glove had received 295 bids (collectively) from the 7 bidders who participated in the frenzy, before receiving its final (eBay Selling) price of $99,100.
According to James Massey, publisher of www.WhatSellsBest.com, a website which provides free list and photos of top selling eBay items. “In spite of Jackson’s past troubles, it appears he still has a large fan base. I’ve noticed tickets for his London show have been collecting as much as $2,450″ (Final eBay selling price/per ticket)
i posted this a few months ago on hypebeAst..
rest in peAce my brother!
michael the mAster El jAckson! wAy biggest sAlute! - ti$a

“When you call yourself an Indian or a Muslim or a Christian or a European, or anything else, you are being violent. Do you see why it is violent? Because you are separating yourself from the rest of mankind. When you separate yourself by belief, by nationality, by tradition, it breeds violence. So a man who is seeking to understand violence does not belong to any country, to any religion, to any political party or partial system; he is concerned with the total understanding of mankind.”
Jiddu Krishnamurti
(1895-1986)
Freedom from the Known (pp. 51-52)
oneness! - ti$a

Taz Manian Rebel
His mama and Kanye share the same birthday, he’s the father to two young boys and a Cancer who couldn’t give a shit about fashion. “My job is to destroy people with creativity and style, which actually doesn’t destroy but inspires them. That’s my job.” One third of the music collective Sa-Ra Creative Partners, Taz Arnold has been unfashionable for some time now. “It’s not that deep,” the South Central LA native casually emits with a cool West Coast tone. “I’m into style and art. I’m a creative person, and I’m into the science of what creativity is.”
So, who is Taz Arnold? “One of the most famous ‘boosters’ of Polo since the ‘80s, since I was a kid in high school. I’m known in New York, Detroit, Florida, Dallas, and I’m known from ‘boosting’ clothes for my collection. That’s how people know me. I was always beyond being interested in fashion.”
And then there’s a kind of honesty about him that you can relate to - the other side of Taz. “I was given half a tab of LSD when I was 3-years-old, but I grew up my whole life never drinking alcohol or doing drugs until like three years ago. I think that’s the reason: to start my life with an open mind.”
Whether he’s rocking black wings, leopard pants, cowboy boots or eight Gucci belts, Taz Arnold has had an open mind since way back. That open mind has manifested into Sa-Ra Creative Partners and, more recently, into his clothing line TISA Vision. Digesting a new level of creativity with the TISA brand, Arnold now has a platform where he is part designer and part consultant, sharing his philosophy and art with the likes of MCM, Pastelle (Kanye West’s upcoming line) and others.
It wouldn’t be just to label Taz as a fashion head. In fact, it would be the biggest lie we could tell you and a misrepresentation of the man. Instead, swallow the fact that Taz is a seeker, maybe even a seer, who was raised with pyramids and rainbows in his home, five minutes away from the beach. Among the infamous gang wars in South Central, Arnold grew up in the belly of LA’s style wars. “The majority of the people who lived in LA while I was a kid growing up dressed how I dress right now. That’s a part of LA’s culture that has never been exposed.” Taz continues in his style battles with a new angle: he’s claiming the rainbow and “officially taking it back.”
“A rainbow and color is natural and has nothing to do with someone’s sexual preference. It’s fucking ridiculous. The rainbow is for gay people, straight people, people who don’t have sex, kids, animals, everything.” If you’ve seen photos of Taz, you know that anything goes, and lack of color is not an option. “A guy won’t wear shorts above his knees because he’s scared of what people think. Like who the fuck dresses for other people? Why are you spending all this money so that you can look like somebody else?” Puzzled and passionate, Arnold settles for a minute to regain his composure and then softly stakes his claim. “The main thing is this - I’m taking the rainbow back.”
A look at his collection and it’s clear that Taz is serious. Rihanna and other celebrities have been sporting the colorful molded plastic knuckle rings, so by way of TISA, Hollywood chicks are now wearing “Love” across their fingers. An idea that sat in his mind for five years, the brand has allowed Arnold to introduce a range of products.
“I’m a person who will be bringing new things in the form of products; it’s not just clothes and apparel.” With TISA, like Taz, it’s more of a concept - one that equates to freedom and simply not giving a damn. “I don’t care about this fashion shit. I dress how I dress because that’s what I do. If you need my advice, or if you want to hire me to consult or utilize the TISA platform than let’s do business.” And fashion heads have been quick to tap into Arnold’s creative eye, including Phenomenon, (a brand that’s just starting to catch on that Arnold describes as “very dope”), another collection with MCM coming out for spring and summer and, as mentioned before, the much anticipated Pastelle line.
For More On This Feature Purchase Issue #92

This is the second capital of Syria 350 km north of Damascus, and one of the oldest continuously inhabited cities in history. Abraham (pbuh) is said to have camped on the acropolis which, long before his time, served as the foundation of a fortress where the Aleppo citadel is standing now. He milked his grey cow there, hence Aleppo's name "Halab Al-Shahba".
Ever since the 3rd millennium BC, Aleppo has been a flourishing city, with a unique strategic position. This position gave the city a distinctive role from the days of the Akkadian and Amorite kingdoms until modern times.
It was the meeting point of several important commercial roads in the north. This enabled Aleppo to be the link in trade between Mesopotamia, the Fertile Crescent and Egypt. The Amorites made it their capital in the 18th century BC. This position also made it subject to invasions from various races; from Hittites, Egyptians, Assyrians, Persians, Greeks and Romans.
Aleppo was prominent in the Christian era; it became a Bishopric and a huge cathedral was built in it, which is still standing.
The conflict between Byzantium and Persia, however, resulted in the latter's occupation of Aleppo in 440 AD. The Persians robbed the city, burned considerable parts of it and damaged many of its features. Though expelled by Justinian, the Persians still threatened Aleppo and frightened its inhabitants until the Arab Islamic conquest came in 636 AD.

The city then regained its status, both cultural and commercial. Apart from the Umayyad and Abbasid periods in which Aleppo flourished, the Hamadani state established by Sayf Addawla in 944 AD made Aleppo the northern capital of Syria. Sayf Addawla built Aleppo's famous citadel, and in his days the city enjoyed great prosperity and fame in science, literature and medicine, despite this leader's military ambitions. Mention should be made of the two most prominent poets, Al-Mutanabbi and Abu Al-Firas Al-Hamadani; of the philosopher and scientist, Al-Farabi; and of the linguist, Ibn Kahlaweh, all of whom lived in Sayf Addawla's court and were renowned for great knowledge and scholarship.
Aleppo was famous for its architecture; for its attractive churches, mosques, schools, tombs and baths. As an important center of trade between the eastern Mediterranean kingdoms and the merchants of Venice, Aleppo became prosperous and famous in the centuries preceding the Ottoman era. Many of its khans (caravanserai) are still in use even today; one of them is called Banadiqa Khan, Banadiqa in Arabic being the term for inhabitants of Venice.

In the Ottoman age, Aleppo remained an important center of trade with Turkey, France, England and Holland. This caused various types of European architecture to be adopted in Aleppo which can be seen in many buildings today.
Nowadays, Aleppo is famous for its ancient citadel with medieval fortress, the great Umayyad mosque, and the extraordinary souqs (bazaars) with every conceivable kind of article for sale. It was and still the far distant trade center when Shakespeare mentioned it in Macbeth and Othello.
The old city was surrounded by a wall incorporating defense towers and fortified gates built during the Islamic period. A large part of the wall still standing.
The Archaeological Museum of Aleppo contains exhibits from the stone age to modern times.
It has particularly interesting collection of antiquities from some of the most ancient sites in Syria including Mari, Ugarit, and Ebla, as well as objects found in the Euphrates Basin, Hama, Tell Halaf and Ayn Dara, in addition to remains from Greek, Roman, Arab and Islamic periods.

The ultra-rare 1957 Ferrari 250 Testa Rossa just set a new world record for the most expensive motor car ever to be sold at auction, achieving a final price of €9,020,000 or about $12.2 million at RM Auctions' annual Leggenda e Passione event in Italy. The beautiful Scaglietti-designed "pontoon-fender" 250 TR was one of only 22 made. One of the most instantly recognizable cars in Ferrari's history, it's highly coveted by collectors - Ralph Lauren owns two of them.
"The historical significance of this car attracted a bidding war as collectors from around the world - both in the room and on the telephone – competed to secure one of the most alluring and iconic of all Ferrari racing cars," said Max Girardo, Managing Director of RM Europe. "The eyes of the world were watching today's sale as cars of this quality are so rarely offered to the market. The quality and the provenance of the Testa Rossa speaks for itself and the price we achieved today is testament to that."





So, when someone wanted to photograph him, he would obediently follow every instruction, as if he was amazed at the frenzy of tripods, cameras and projectors that surrounded him. Numerous pictures of the Spanish painter were taken using this method, by photographers such as Robert Capa, Cartier-Bresson, Yosuf Karsh, David Seymour, Robert Doisneau and Man-Ray, and, although they're very good, they show more of the photographer's personality than Picasso's. This, however, was not Edward Quinn's approach.
Edward Quinn started out as a musician. During WWII he became a RAF pilot and, once the war was over, he continued to fly civil airplanes. During the 1950s, he lived in Côte d'Azur, which, at the time, was already the place of leisure of countless international celebrities. So, he decided that it might be a good idea to become a photographer... In 1951, during one of his assignments, he met Picasso. In the first photographs he took of the painter, he let him work freely, with no artificial poses.
Picasso felt at ease with the photographer and focused on his work, forgetting he was being photographed. And thus, for over 20 years, Quinn entered the painter's private sphere, capturing the man behind the artist - his house, women, children, friends, pets. He was one of the few privileged enough to do so and he was able to gather the most amazing set of pictures of the painter known to date. Picasso, on the other hand, never asked him to see his portraits; he knew that, inspite of the journalist's interest in him as an "object", there was a code of etics taken into account. That's why they became friends.




The Four Seasons Hotel George V in Paris has just unveiled the ultimate luxury automobile - the world's only Hermès-designed, hand-built Rolls-Royce Phantom. The one-of-a-kind car was custom made to the famed hotel's specifications by Rolls-Royce in collaboration with the legendary French fashion house.
The project, which took a year to complete, was overseen by the luxury hotel's in-house Artistic Director Jeff Leatham. He first selected the car's color scheme to match the famed hotel's "personality". The team at Hermès' Interieur & Design department then conceived and created customized upholstery and accessories based on the aesthetics and rich heritage of the Four Seasons George V.
Leatham selected two tones of elegant gray for the Rolls' exterior, anthracite and titanium, and a deep rose leaf gray was chosen for the full Hermès glove-soft leather interior. Key elements such as the steering wheel and passenger consoles were finished in Hermès Taurillon Plume calfskin to complement the rest. A romantic touch was added in the form of a "starlight headliner": a canopy consisting of 800 lights on the Rolls' roof liner as a tribute to the City of Lights.
Leatham followed each step of the fabrication process from the Rolls-Royce motorworks in Goodwood, England to the ateliers of Hermès in Pantin, France. While the car was being hand-built in Goodwood, 39 of its interior parts including the door handles, steering wheel and interior consoles were shipped to France and entrusted to the expert craftsmen of Hermès. As a finishing touch, classic Hermès throws in complementary color schemes were stowed in the passenger area.
"The Hotel's goal in commissioning two of the world's most talented makers of luxury goods to collaborate on the project was to create an experience that is unsurpassed for our guests in Paris," says Christopher Norton, Regional Vice President and General Manager of the Four Seasons Hotel George V. ''This Rolls-Royce represents a marriage of like-minded brands that are single-mindedly focused on the very highest of standards and quality. As it is the hotel's 80th anniversary this year, it is fitting to introduce an experience that is unique in the world and only available at Four Seasons George V."
When the car was complete, five drivers were appointed by the George V and specially trained by Rolls-Royce to operate the precious vehicle. The car is available to hotel guests for airport pick-up at a rate of about $1,000, and for day trips or business in Paris, at a rate of about $5,000 per day, via the hotel's Concierge desk.





The oldest living thing on eArth is not a Giant Redwood tree thats the largest living thing on the plAnet, but a Bristlecone Pine tree located in the White Mountains of California dated to be aged over 4,600 years old.
California is one of the oldest places on eArth! - ti$a